About the artist

The use of geometric symbols to express the idea of ​​order in the world, in connection with the first civilizations, is the basis of Lalalli Senna's sculptures, immersive experiences and digital creations. The multiplatform artist proposes experiences with multiple meanings in her works, the result of a wealth of studies of different practices and aesthetic approaches, both in the visual arts and in music.

Lalalli sees geometric shapes as a bridge to the unconscious. “Everything that respects these mathematical principles ends up being harmonious. When we connect with our deepest center and connect it with this Greater Everything, we enter into harmony with the cosmos”, analyzes Lallali, who developed the habit of writing down dreams, raw material from a dimension “where things are not yet words”, as she defines it. As a true artist of the Digital Renaissance, Lalalli uses these raw materials using different languages, creating sculptures, immersive experiences that dialogue with the architectural space and even orchestral works (such as the suite “The Creation of the Day”, from 2015).

“In my opinion, art is the materialization of energies that need to manifest themselves in some way”, defines Lalalli, author of “Nosso Senna”, a bust of his uncle Ayrton Senna presented in two versions. One was presented to Pope Francis and is in the Vatican collection. Another, of monumental size, sculpted in mirrored faceted aluminum, reminds us of the three-time Formula 1 world champion at the Interlagos Racetrack and what his heroism receives and projects in his fans and in a nation.

Without a doubt, Lalalli's work also carries the principles matured in her years of leadership in social impact actions – through the Ayrton Senna Institute – and in mentoring groups that bring together new generations of business families. “Ultimately, my art is a manifestation of this desire to change the world. It is a way of raising awareness”, summarizes the artist, who is also the creative director of Senna Brands.